The pop-ization of hip-hop became an even bigger wave in the latter half of the 1990s, not unrelated to MC Hammer's big hit as mentioned in Vol. 1. The popization of hip-hop became even more significant in the late 1990s, with the release of Candyman's "Ain't No Shame In My Game" (October 2), which featured the hit "Knockin' Boots," as well as Father MC's "Father 's Day" (released on October 15), which is disregarded by core hip-hop fans to varying degrees, the deciding factor was white rapper Vanilla Ice's major debut album, "Ice To The Extreme" (released on September 4). The single cut from the album, "Ice Ice Baby," reached No. 1 on Billboard's Hot 100 overall singles chart, and the album sold over 10 million copies. However, the hip-hop scene's rejection of his style, which exploits only the superficial aspects of black culture, has been tremendous, and fellow white rapper 3rd Bass has released a song called "Pop Goes the Weasel" that is a strong critique of pop hip-hop, led by Vanilla Ice. Vanilla Ice. Later, it was discovered that Vanilla Ice's record company had misrepresented his background in his profile, and his popularity declined, but the pop-ization of hip-hop did not stop.