C.r.e.a.m. Team Records' 3rd Single "M.O.V.E." Liner Notes
The third single from C.r.e.a.m. Team Records, "M.O.V.E." (DJ MITSU THE BEATS feat. Frank Nitt, Guilty Simpson), will be released on January 18, 2023. As with the previous release,Started working as a writer in 1996, writing primarily for hip-hop magazines such as "blast."The liner notes for this song were requested from Kiwamu Omae.
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C.r.e.a.m. Team Records is a label with a 90s hip-hop theme, executive produced by DJ MITSU THE BEATS. Previously, they released singles produced by DJ MITSU THE BEATS himself, featuring Shing02 and KOHEI JAPAN respectively. For their third release, this time they have brought in their first overseas guests, Frank Nitt (hereinafter referred to as Frank) and Guilty Simpson (hereinafter referred to as Guilty), both hailing from Detroit. The song "M.O.V.E." has been completed through the collaboration of these three powerful artists.
Frank, also known for his work as part of the hip-hop duo Frank N Dank, and Guilty, who is active as a solo artist, not only hail from the same city of Detroit but also share a deep connection with the legendary producer J Dilla, as core hip-hop fans will know. J Dilla, also from Detroit, produced numerous hip-hop classics from the mid-90s to the 2000s before tragically passing away at the young age of 32 in 2006. Frank first met J Dilla when Frank himself was only 12 years old (Note: J Dilla was one year older than Frank Nitt), and J Dilla was also the one who named the group Frank N Dank.
・"Frank n Dank" Source: Wikipedia
Already known among hip-hop fans as a producer under the name Jay Dee, he featured Frank N Dank on "Pause," a track from his first album released under his own name (Jay Dee aka J Dilla) in 2001, titled *Welcome 2 Detroit*. Furthermore, Frank N Dank was also featured on "McNasty Filth," one of the main tracks on *Champion Sound*, the 2003 album by Jaylib, a unit formed by J Dilla and LA producer Madlib.
Like Frank N Dank, Guilty was also featured on Jaylib's "Champion Sound," with the track "Strapped" being one of his earliest works as a rapper. Guilty later expanded his name as a prominent Detroit rapper by participating in albums released after J Dilla's passing, such as "The Shining" and "Ruff Draft." In 2008, he finally released his first album, "Ode To The Ghetto," on Stones Throw. Naturally, this album also includes a track produced by J Dilla ("I Must Love You").
Incidentally, Guilty and Madlib released the album "OJ Simpson" on Stones Throw in 2010. Frank guested on the track "Scratch Warning" on this album, and this is likely the first time the two collaborated.
Dear Producer, DJ MITSU THE BEATS discovered rappers Frank and Guilty through J Dilla and was a pure fan. In fact, he had had some involvement with them even before this collaboration.
On the other hand, Frank has already collaborated on music with him as a producer.
The fact that DJ MITSU THE BEATS' track became the album's title track is also proof that they were very impressed with his beats. The connection that was formed between them at this time led to the current collaboration.
The first impression of "M.O.V.E." is that although these three people were connected by J Dilla in a way, the texture of the music is of a different type than that.
The song's greatest charm is its vibrant, live feel, even though it's created through sampling.
The first verse is rapped by Frank, and the second verse by Guilty. With the title "M.O.V.E." as the key, the two will push forward speedily and thrillingly while freestyling and layering rhymes.
DJ Mitsu the Beats further states that he strongly feels a “Detroit” vibe in the rapping of these two.
This "M.O.V.E." was born from the connection between two cities, Sendai and Detroit. It feels like the groove within this song resides precisely because they aren't from cities like Tokyo, NY, or LA. We also hope that this song will be a catalyst for DJ MITSU THE BEATS to develop cross-border collaborations, involving these two artists, or even more artists.
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Music writer. Began writing in 1996, contributing to publications such as the hip-hop magazine "blast." Moved to Los Angeles in 2003, where they covered the underground hip-hop scene, including artists like Stones Throw, while also writing about fashion, art, and other fields. Returned to Japan in 2015 and continues to work as a writer for various magazines and web media, focusing primarily on hip-hop.
